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Just finished reading Rob Walkers book Buying In: The Secret Dialogue Between What We Buy and Who We Are that delves into the attitudes of the global consumer in the age of plenty, and, didn’t making us look at all good.

This amphetamine paced tour of senseless consumption spans Viking cookers to custom high-tops.  And along the way  walk I been introduced to a diverse cast of characters like Red bull entrepreneur Dietrich Mateschitz, and an assortment of white guys without any discernable urban credibility who’ve managed to build clothing empires around hip-hop and street culture, and even viral marketers who pretend to be customers, proselytizing to others about the merits of products (and apparently not always disclosing their affiliations).

By presenting both uber-consumers and the professionals who deal with trying to sell us the stuff to fill our endless appetites, or the holes in our souls, Walker indirectly addresses what he coins the “pretty good” problem: What distinguishes a product when assembly lines or underpaid third-world workers can make even the cheapest products “pretty good?” Since quality really isn’t much of a criterion any more, there must be other signifiers, and that’s where our subconscious steps in.

Walker’s key point echoes many in the intangible brand benefit camp often written about in the planning world. Most of us have been inundated with advertising for our whole lives, so on some level we know that we’re being sold … which is why some hipster crowds gathered around PBR (a cheap red neck beer – cheers Google) precisely because they weren’t being given the hard sell. So if somebody cracks open a can now, knowing that the trend is played out, what does that act of consumer disobedience say about them? Now that PBR is so “yesterday,” shouldn’t that make it cool again? If a hipster cracks open a can in the forest and there’s no one around to hear it, are they still being cool?” It all gets pretty meta.

And that’s Walkers thesis. He coins his own portmanteau for the way that advertisers can take advantage of that and calls it “murketing.” Murketing, then is that nexus between murkiness and marketing where buyers can project their own desires or aspirations on to the products that they buy. In examining the psychological motivations that drive this rampant consumerism, Walker references some of the best psychologists and researchers on the subject, including Mihaly Csikszentmihalyi, who’s Flow should be required reading for anyone with an interest in being happy and who’s The Meaning of Things happens to be a little more topical.

The conclusion is that objects are only as totemic as we let them be. Walker even begins to hint at what might be a really interesting corollary, but it is left largely unexplored. For us, as product and communications guys, if we’re pondering the future, one must wonder what sort of value we can add to society.

In a potential post-consumer future, where we’ve harnessed algae to transform sunlight into electricity and where every home has a rapid prototype machine that uses organic compounds, how will we define wealth? Suddenly when everyone has access to flawless and pristine stuff, it’s that scuffed up and worn armchair that has real value. Because even though I may love my sleek modernist furniture in ways that might not quite be healthy, if my house was burning down I’d rescue the painting I found in a junk shop.


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